Your filtered selection:

• SND-1 |  Soundscapes and Acoustical Ecology |  Wabe |  2023-11-08 |  10:30 - 13:00
  curated and moderated by Sabine Breitsameter

  • The following list of contributions (1 of 5 in total) to this event is incomplete due to filtering.

  • Konsequenzen für die Produktion?

    SND-1-5 |  Start 12:00 |  Duration 60 min. | Sabine Breitsameter |  Robin Wiemann, André Klar, Klaus Schüller, Aleksandar Vejnovic | Roundtable Discussion (German)

    Diese Roundtable-Diskussion widmet sich dem Thema der Soundscape Studies und der Akustischen Ökologie. Es werden Konsequenzen für die Produktion auditiver Formen und Inhalte debattiert.

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• 3D-7 |  Immersive Audio |  R 2 |  2023-11-09 |  10:00 - 13:00
  curated by Ulrike Anderson, Lasse Nipkow — moderated by Andreas Ehret

  • Immersive Audio – Where is the money?

    3D-7-1 |  Start 10:00 |  Duration 90 min. | Andreas Ehret |  Stefan Bock, Veronique Larcher, Lennart Damann | Roundtable Discussion (English)

    Arguably, immersive audio is the most exciting trend in audio engineering, where sound professionals and academia have been discussing use cases, applications, and the required technologies such as recording techniques, workflows and delivery methods since a few years. However, so far there has been only limited mindshare about the economics. What does it mean commercially to embrace immersive audio? In this session, relevant industry players will share their perspective about the commercial opportunity by applying a lens on the business case from their perspective. With panelists from different market segments all the way from content creation to delivery, to consumer electronics, we are aiming for a broad and insightful view.

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  • Mixing in Dolby Atmos - how pros can use the format creatively

    3D-7-2 |  Start 11:30 |  Duration 90 min. | David Ziegler |  Jan Fraune, Stefan Haberfeld, Eric Horstmann, Felix Krückels | Roundtable Discussion (English)

    Immersive, object-based audio in Dolby Atmos can be found in more and more areas of the audio industry, from in movies, streaming services originals, live sport transmission, game audio, podcasts and of course music. In this session, we invited three experienced mixing engineers with a music, film and live sports background to share how Dolby Atmos influences their workflows and how they use the format creatively.

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• EDU-3 |  Education |  R 13 |  2023-11-09 |  12:00 - 13:00
  curated by Ingo Weismantel — moderated by Ulrike Anderson

  • How the Contemporary Music Business Works

    EDU-3-1 |  Start 12:00 |  Duration 60 min. | Nicholas Sansano |  Ulrike Anderson, Aleksandra Keriene, Morten Lindberg | Roundtable Discussion (English)

    Covering a broad spectrum of business areas, including streaming, distribution, licensing/sync publishing, live performance, radio, marketing, copyright and related fields this discussion will also explore the emerging technologies and the accelerating rapid changes and challenges and opportunities faced when entering the marketplace.

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• EI-2 |  Event Industry |  Wabe |  2023-11-10 |  09:30 - 10:50
  curated by Elias Ruh, Marco Völzke — moderated by Marco Völzke

  • The following list of contributions (1 of 2 in total) to this event is incomplete due to filtering.

  • Was ist Frequenz-Koordination, was Frequenz-Management?

    EI-2-1 |  Start 09:30 |  Duration 30 min. | Marco Völzke |  Dominik Feltes, Daniel Künzi | Roundtable Discussion (German)

    Wir wollen eine Einführung in die kreativen Frequenznutzungen und Aufgabenfelder eines HF-Technikers, Frequenzkoordinators und Frequenzmanagers in der Veranstaltungsbranche geben, so dass die weiteren Themen des Tages einfacher zu verstehen sind. Am Ende wollen wir für die Veranstaltungsbranche eine Klassifizierung der Tätigkeiten vorstellen, so dass Veranstalter, technische Dienstleister, Künstler und vielleicht sogar Fachfremde diese Arbeiten und Arbeitsfelder einfacher einordnen können.

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• NET-2 |  Networked Audio & Video |  R 2 |  2023-11-10 |  10:40 - 12:30
  curated and moderated by Marc Schettke

  • The following list of contributions (1 of 2 in total) to this event is incomplete due to filtering.

  • Ethernet-based Media Networks: A Dialogue between Users and Manufacturers

    NET-2-2 |  Start 11:30 |  Duration 60 min. | Marc Schettke |  Andreas Hildebrand, Henning Kaltheuner, Stefan Ledergerber, Jochen Wainwright | Roundtable Discussion (English)

    The wide-spread use of Ethernet-based media networks leaves both system integrators and end-users with loads of questions. Why have features been implemented the way they were? Why are things still so complicated? What is on the horizon to make our lifes easier? This panel brings together users and manufacturers of respective technologies. Experts from both sides discuss requirements, implementations and possible gaps in between. Moreover, the audience is invited to ask additional questions that will be discussed and, as far as possible, answered on stage.

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• EI-3 |  Event Industry |  Wabe |  2023-11-10 |  11:00 - 12:30
  curated by Elias Ruh, Marco Völzke — moderated by Marco Völzke

  • Wie sollten wir mit unseren Funkfrequenzen umgehen?

    EI-3-1 |  Start 11:00 |  Duration 90 min. | Marco Völzke |  Dominik Feltes, Georg Fischer, Daniel Künzi, Maria Dolores Perez Guirao, Susanne Rath, Jochen Zenthöfer | Roundtable Discussion (German)

    Ein kompetentes Panel der Veranstaltungsbranche über den Rundfunk bis hin zur Wissenschaft mit Einblick in die politische Arbeit diskutiert und betrachtet folgende Fragen: Wie gehen wir mit unseren Frequenzen um und welche Szenarien sind für die Zukunft wichtig? Welche Ängste und Risiken werden in unserer Branche relevant sein? Welche Koexistenzen mit der Ressource „Frequenzen“ können auftretet? Wie nutzen wir dieses kostbare gut effizient, nachhaltig und störungsfrei und an welchen Punkten sind weitere Entwicklungen möglich oder in Sicht?

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• 3D-14 |  Immersive Audio |  R 16 |  2023-11-10 |  14:00 - 15:30
  curated by Ulrike Anderson, Lasse Nipkow — moderated by Ulrike Anderson

  • The Why and How Behind Immersive and Surround Recordings

    3D-14-1 |  Start 14:00 |  Duration 90 min. | Ulrike Anderson |  Jim Anderson, Akira Fukada, Morten Lindberg, Daniel Shores, Kimio Hamasaki | Roundtable Discussion (English)

    Producer/Engineers, Ulrike Schwarz, Morten Lindberg, Akira Fukada, Daniel Shores, Kimio Hamasaki and Jim Anderson will discuss the interaction between composers, musicians, producers, engineers and labels in today’s development of music productions in immersive audio. Anderson and all will illustrate these comments by playing examples of their recent work. The recent pandemic era also presented a wealth of challenges and the producers will discuss the difference of how those experiences differed for productions recorded in Europe, Japan and the US. There will be individual immersive listening sessions for each of the authors.

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• GAME-5 |  Game Audio |  R 3 |  2023-11-10 |  15:10 - 17:00
  curated by Dominik Zingler, Jan Lukas Feldmann — moderated by Dominik Zingler

  • The following list of contributions (1 of 2 in total) to this event is incomplete due to filtering.

  • How to boost your game audio production with spatial audio

    GAME-5-2 |  Start 16:10 |  Duration 50 min. | Christian Sander |  Numael Mendez, Dominik Zingler | Roundtable Discussion (English)

    This panel discussion is designed to address both creative and technical aspects of game audio production, providing a comprehensive approach to boosting the overall quality of and through spatial audio in games on mobile, desktop, or XR headsets. The panelists, who are industry experts and professionals with a wealth of experience in game audio, will share practical insights and strategies to optimize the technical aspects of audio production. They will cover topics such as workflows, implementation tools like game engines, audio middleware, spatializers, mixing, and many more. Additionally, the panel will emphasize the importance of balancing technical considerations with creative decisions to create an immersive and captivating audio experience for players.

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• SUST-1 |  Sustainability |  R 2 |  2023-11-11 |  10:00 - 11:00
  curated and moderated by Maximilian Kock

  • Mehr Diversität schaffen? VDT-Diskussionsplattform über die Rolle und die Möglichkeiten von Frauen in der Tonbranche gibt Anregungen

    SUST-1-1 |  Start 10:00 |  Duration 60 min. | Maximilian Kock |  Imke Bartmann, Jana Gretenkort, Daniela Rieger, Ingo Weismantel | Roundtable Discussion (German)

    • Nur etwa vier Prozent der Film- und Tonschaffenden in Deutschland sind nicht männlich. Was kann getan werden, damit sich dies bald ändert? • Sind Frauen heutzutage tatsächlich schon gleichberechtigt in unserer Branche? Nicht nur hinsichtlich der Bezahlung, sondern auch in ihrer Funktion als Entscheidungsträgerinnen und Managerinnen? • Welche Rolle spielen immer noch Klischeedenken und Sexismus? • Welche Vorteile ergeben sich bei audiovisuellen Produktionen und Veranstaltungen, wenn Frauen gleichberechtigt und auf Augenhöhe in den Teams mitarbeiten (können) und/ oder diese leiten? Zu Beginn wird des Beitrags Jana Gretenkort, Bachelorandin bei Prof. Dr. Dipl.-Ing. Maximilian Kock, Professor für Audioproduktion an der Ostbayerischen Technischen Hochschule Amberg-Weiden, über die Ergebnisse der Umfrage im Rahmen ihrer Bachelorarbeit "Berufstätige Frauen in der deutschsprachigen Filmbranche" berichten. Anschließend wird ein Podiumsrunde die Ergebnisse bewerten und diskutieren.

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• EDU-9 |  Education |  R 3 |  2023-11-11 |  11:00 - 12:00
  curated by Ingo Weismantel — moderated by Ulrike Anderson

  • Exploring of Recorded Music Education World Wide

    EDU-9-1 |  Start 11:00 |  Duration 60 min. | Jim Anderson |  Nicholas Sansano, Nadja Wallaszkovits, Toru Kamekawa | Roundtable Discussion (English)

    The tools and techniques are similar, but different programs cover the same material in a multitude of goals. What are students learning and how are they prepared to the ever changing music industry. The founding and the present chair of the Clive Davis Institute of Recorded Music from NYU’s Tisch School of The Arts Professors Jim Anderson and Nick Sansano as well as Nadja Wallaszkovits, Professor of Conservation of New Media and Digital Information at the Staatliche Akademie der Bildenden Künste Stuttgart, Education and Human Development and Professor Toru Kamekawa of the Tokyo University of The Arts (Geidai) will discuss.

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• SUST-2 |  Sustainability |  R 2 |  2023-11-11 |  11:30 - 13:30
  curated by Maximilian Kock

  • The following list of contributions (1 of 2 in total) to this event is incomplete due to filtering.

  • Nachhaltigkeit: Standortbestimmung und Ausblicke

    SUST-2-2 |  Start 12:00 |  Duration 90 min. | Ulrich Lorscheider |  Donata Dröge, Birgit Heidsieck, Jürgen Heuser, Eric Horstmann, Harald Prieß, Robert Trebus | Roundtable Discussion (German)

    Anknüpfend an die vorherige Darstellung der Grundlagen rund um das Thema Nachhaltigkeit in der Audiobranche diskutieren verschiedene Akteure aus der Branche ihre Position und wagen einen Ausblick.

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• CS-2 |  Cinema Sound |  R 13 |  2023-11-11 |  12:00 - 14:00
  curated by André Klar, Detlef Halaski — moderated by André Klar

  • The following list of contributions (1 of 2 in total) to this event is incomplete due to filtering.

  • Sound Design - Round Table zu „Im Westen nichts Neues“

    CS-2-2 |  Start 13:00 |  Duration 60 min. | Frank Kruse |  Alexander Buck, André Klar, Detlef Halaski | Roundtable Discussion (German)

    Frank Kruse & Alexander Buck geben im Gespräch mit Detlef Halaski und Andrè Klar Einblicke in die Arbeit für das Oscar-prämierte Sound Design zu „Im Westen nichts Neues“. Anhand von Filmausschnitten und der mitgebrachten Pro Tools Session soll auf diesem Round Table die Arbeit an dem Filmsound detailliert veranschaulicht werden. Über die technischen und ästhetischen Entscheidungen im Prozess hinaus hoffen wir natürlich auch auf spannende Anekdoten.

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• OS-1 |  Open Source for Audio |  R 3 |  2023-11-11 |  12:00 - 14:00
  moderated by Jörn Nettingsmeier

  • The following list of contributions (1 of 3 in total) to this event is incomplete due to filtering.

  • Solving problems with open source tools: mixing a concert feature film in Ardour, online music collaboration with JackTrip, and automated stream mastering with master_me

    OS-1-2 |  Start 12:30 |  Duration 60 min. | Jörn Nettingsmeier |  Sven Thielen, Klaus Scheuermann | Roundtable Discussion (English)

    Abstract: In this round-table / lighting talk / demo, we explore three weird but successful problem-solving journeys, addressing different angles of the same global challenge with open source. Jörn kicks off with "TWOFIFTY - remembering Beethoven". He shows how to record, edit, design and mix a conceptual contemporary music performance and turn it into a surround feature film soundtrack after the originally planned concert series had gone, well, viral. Meeting the combined challenges of location recording, live music production, and film post-production is accomplished with the Ardour DAW and a selection of open-source plugins. Sven then shows how to turn a research by-product into an art and enterprise: "JackTrip" is a ground-breaking low-latency audio streaming solution originating at CCRMA (Stanford University), which becomes a vital tool for online music collaboration in times when musicians cannot physically be together. How does it work, and how can it be made easy enough to be adopted even by amateur ensembles who do not have dedicated tech support? Klaus wraps up with his personal journey from mastering engineer to plugin developer with no prior coding knowledge: "When the pandemic hit, streaming events peaked - audio-wise, too, unfortunately: they sounded bad." Armed with a GUI-less prototype of a mastering chain for live streams and internet radio stations created in the arcane programming language FAUST, he gets a bunch of highly skilled developers curious enough to join the project. The power of open source collaboration unfolds, and "master_me" is born.

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