Program

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All Events (Sessions) are grouped and labelled by topic, format or individually. Each single event can have one or more contributions.

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    3D
    3D Audio
    3DL
    3D Listening
    3DP
    3D Production
    AA
    Best Practices in Asian Audio
    AC
    Acoustics
    AP
    The Arts of Production
    AT
    Array Technology in Sound Reinforcement
    BF
    Barrier-free Audio
    BI
    Business Issues
    CLA
    Classical Music in 3D
    CP
    3D Audio Competition
    IRT
    IRT Thementag
    LMW
    Live Mixing Workshop
    LN
    Loudness in Radio
    MA
    Mastering
    MIC
    Microphone Setups
    MU
    Musical Aspects in Production
    MV
    Individual Events Group
    NA
    Networked Audio & Video
    OB
    Object Based Production
    PE
    Perception & Aesthetics
    PP
    Poster
    PROD
    Product Contribution
    RA
    Restoration & Archiving
    RD
    Research & Development
    SE
    Individual Events Group
    SI
    Speech Intelligibility in Broadcast and Cinema
    SP
    Spatial Audio
    SR
    Sound Reinforcement
    SST
    Studio Szene Talk
    ST
    Studio & Recording
    TA
    TMT Academy
    TB
    Talk Back
    VR
    VR and 360°
    WA
    Wireless Audio

  • Click label to filter the event list below by topic.

    3D
    3D Audio
    3DL
    3D Listening
    3DP
    3D Production
    AA
    Best Practices in Asian Audio
    AC
    Acoustics
    AMP
    Power Amplifier Design
    AP
    The Arts of Production
    AT
    Array Technology in Sound Reinforcement
    BF
    Barrier-free Audio
    BI
    Business Issues
    CLA
    Classical Music in 3D
    IRT
    IRT Thementag
    LMW
    Live Mixing Workshop
    LN
    Loudness in Radio
    MA
    Mastering
    MIC
    Microphone Setups
    MU
    Musical Aspects in Production
    NA
    Networked Audio & Video
    OB
    Object Based Production
    PE
    Perception & Aesthetics
    RA
    Restoration & Archiving
    RD
    Research & Development
    SI
    Speech Intelligibility in Broadcast and Cinema
    SP
    Spatial Audio
    SR
    Sound Reinforcement
    SST
    Studio Szene Talk
    ST
    Studio & Recording
    TA
    TMT Academy
    TB
    Talk Back
    VR
    VR and 360°
    WA
    Wireless Audio

  • Click label to filter the event list below by format.

    AES
    AES Reviewed Paper
    CP
    3D Audio Competition
    PP
    Poster
    PROD
    Product Contribution
    RT
    Roundtable Discussion
    TK
    Talk
    TUT
    Tutorial
    WS
    Workshop
    WS3D
    3D Audio Workshop
    WSAC
    Academy Workshop
    WSSR
    S&R Studio Szene
    WSTB
    Talk Back Workshop

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2018-11-14S&RWSSR | S&R Studio Szene← Reset
  • SST-1 |  Studio Szene Talk |  S&R |  2018-11-14 |  14:00 - 15:00
    moderated by Hans-Martin Buff

    • Grundlagen der 3D-Audiotechnik und die Zukunft im Wohnzimmer

      SST-1-1 |  Start 14:00 |  Duration 60 min. | Hans-Martin Buff |  S&R Studio Szene (German)
      Engineer Hans-Martin Buff arbeitet aktuell an einer Musikproduktion, die komplett auf 3D-Audio über Kopfhörern ausgelegt ist – Von der Aufnahme bis hin zum Mix. Im Dialog mit Sound&Recording-Chefredakteur Marc Bohn erklärt Buff die Grundlagen einer 3D-Audioproduktion, die Unterschiede zwischen Aufnahmeverfahren und Mixing gegenüber Stereo, und berichtet von den Erfahrungen aus seiner Arbeit. Außerdem werfen Hans-Martin Buff und Marc Bohn gemeinsam einen Blick auf die Vergangenheit, die Gegenwart und die Zukunft der 3D-Audiotechnologie.
  • SST-2 |  Studio Szene Talk |  S&R |  2018-11-14 |  16:00 - 17:00
    moderated by Hans-Martin Buff

    • Microphone placement comparison of orchestral instruments for educational purposes

      SST-2-1 |  Start 16:00 |  Duration 60 min. | Thorsten Weigelt |  Kazuya Nagae | S&R Studio Szene (English)
      Every musical instrument has a specific sound radiation pattern, which is highly dependent from tone and frequency. This has been extensively investigated by Jurgen Meyer in his book “Acoustics and the Performance of Music”. Recordings of 15 orchestral instruments have been produced to make these differences hearable for interested people working and studying in the field of Recording Arts. Those recordings have been done in a realistic environment and situation, means as stereo recordings with 14 identical AB-pairs in a concert hall. The recordings can be listened on a web-player with the possibility to switch freely and instantly between the different mic positions.
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