On this web page we briefly inform about the technical handover points in the tmt33 lecture rooms. Our technical manager is responsible for the hall technology as well as for the technology of the workshop demonstrations. He will answer all technical questions that are not yet answered by this document here. Especially for immersive audio contributions or those in surround sound, it also makes sense to arrange a sound check appointment via Sebastian in the corresponding room.

Content

• Room R2
• Room R3
• Stage OS
• Room R13
• Room R15
• Room R16

Room 2

This room has a very good surround sound system. It also has an overhead layout, but is not an explicit 3D setup. The language is only fed through the center speaker.

Stereo Audio handover convention:

1 L
2 R

• With Dante AVIO USB IO Adapter 2x2 (USB 2.0 or USB-C, we can provide cables and Avio Dongle)
• Alternatively with 3,5 mm stereo jack asymmetrical

5.1 Audio handover convention according to ITU 5.1 specifications

1 L
2 R
3 C
4 LFE
5 Ls
6 Rs

• With a Dante Virtual Soundcard (You need to install the DVS in advance and combine it with ASIO or WDM. Please note the channel distribution.)

Room 3

In this room, the recorded stereo signal and speech are fed into the binaural-capable headphone system. The speech is also reproduced via the sound system.

Stereo audio handover convention:

1 L
2 R

• With Dante AVIO USB IO Adapter 2x2 (USB 2.0 or USB-C, we can provide cables and Avio Dongle).
• Alternatively with 3,5 mm stereo jack asymmetrical.

Room OS

At this stage, the recorded stereo signal and speech are fed into the headphone system.

Stereo audio handover convention:

1 L
2 R

• With Dante AVIO USB IO Adapter 2x2 (USB 2.0 or USB-C, we can provide cables and Avio Dongle).
• Alternatively with 3,5 mm stereo jack asymmetrical.

Room 13

In this room, speech sound reinforcement is separated from music playback. High-quality analog studio monitors are available for music playback.

Stereo audio handover convention:

1 L
2 R

• With Dante AVIO USB IO Adapter 2x2 (USB 2.0 or USB-C, we can provide cables and Avio Dongle).
• Alternatively with 3,5 mm stereo jack asymmetrical.
• You can also play back directly to studio monitors via 2 x XLR (balanced, floating) connections, bypassing the digital mixing console. You will need to bring your own interfaces or analog playback devices for this.

5.1 Audio handover convention according to ITU 5.1 specifications

1 L
2 R
3 C
4 LFE
5 Ls
6 Rs

• With Dante Virtual Soundcard (DVS has to be installed and configured with ASIO or WDM. Please take care of the channel numbering.)

Room 15

The 3D sound will be provided by studio speakers. The setup will be a compromise between Auro-3D and Dolby.

9.1.6 Dolby handover convention:

1 L
2 R
3 C
4 LFE
5 Lss
6 Rss
7 Lrs
8 Rrs
9 Lw
10 Rw

11 Ltf
12 Rtf
13 Ltm
14 Rtm
15 Ltr
16 Rtr

• With a Dante Virtual Soundcard (DVS must be installed beforehand and set up with ASIO or WDM. Please note the channel distribution.)
• With MADI BNC or fiber optic (48 kHz, 24 bit, SRC possible on site. Please note the channel distribution. The interface for MADI must be brought along.)
• Additionally, there is the option of using audio handover with MT48.

Room 16

The 3D sound will be provided by studio speakers.

7.1.4 handdover convention:

Please arrange directly with Ulrike Anderson. The audio material must be submitted in advance.

Subject to change without notice.