Ihre gefilterte Auswahl:

• 3D-2 |  Immersive Audio |  R 16 |  2023-11-08 |  14:00 - 15:00
  kuratiert von Ulrike Anderson, Lasse Nipkow — moderiert von Ulrike Anderson

  • The best seat in the house - 3D Sports Audio Production

    3D-2-1 |  Beginn 14:00 |  Dauer 60 min. | Felix Krückels |  3D-Audio-Workshop (Englisch)

    3D Audio for TV Sports production in competition with UHD HDR Video. Can audio compete with the attraction produced by modern broacast sports coverage? What are the tools, aestethics, philosophies behind an immersive audio production? The workshop will explain how one of the biggest sports events in 2022 and Bundesliga is realized week by week in 3D Audio and Dolby Atmos. It will cover mic techniques and setups, mixing styles, exaggeration of immersion as well as challenges and solutions with even more speakers, signals, presentations in a TV live production.

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• 3D-3 |  Immersive Audio |  R 16 |  2023-11-08 |  15:30 - 16:30
  kuratiert von Ulrike Anderson, Lasse Nipkow — moderiert von Ulrike Anderson

  • 22.2 Multichannel Sound for 8K TV Broadcasting - Classical Music Content Production

    3D-3-1 |  Beginn 15:30 |  Dauer 60 min. | Johann Bömer |  3D-Audio-Workshop (Englisch)

    Since launching the 8K ultra-high-definition television satellite broadcasting service “NHK BS8K” in 2018, the Japan Broadcasting Corporation NHK regularly produces a variety of 8K contents in 22.2 Multichannel Surround Sound. Over the past few years, we recorded in this highly immersive channel-based 3D audio format at concert halls in Tokyo as well as at renowned venues and opera houses all over Europe. This workshop focuses on the 8K/22.2 classical music program production process at NHK and will give an insight into recording techniques as well as workflows of recent productions and live broadcasting transmissions. Excerpts of live performances of i.a. the NHK Symphony Orchestra recorded in 22.2 will be presented.

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• 3D-8 |  Immersive Audio |  R 16 |  2023-11-09 |  10:30 - 11:30
  kuratiert von Ulrike Anderson, Lasse Nipkow

  • 3D Field Recording - Theorie und Praxis des Doppel-UFIX

    3D-8-1 |  Beginn 10:30 |  Dauer 60 min. | Florian Camerer |  3D-Audio-Workshop (Deutsch)

    Es wird die Konstruktion des Systems "Doppel-UFIX" beschrieben. Dabei handelt es sich um ein 3D-Field-Recording Mikrofonsystem für 9 Kanäle, für das Wiedergabesystem Auro-3D optimiert. Die Besonderheit des Systems ist die Tatsache, dass pro Sektor der Aufnahmewinkel und der Wiedergabewinkel gleich sind. Eine Bewegung wird daher von der Wiedergabeanalge annähernd so reproduziert, wie sie vor dem Mikrofon stattgefunden hat. Neben der theoretischen Betrachtung werden viele Hörbeispiele präsentiert, unter anderem Zug-Verschubbahnhof, Kinderspielplatz, Donner und Hagelgewitter.

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• 3D-9 |  Immersive Audio |  R 16 |  2023-11-09 |  12:00 - 13:00
  kuratiert von Ulrike Anderson, Lasse Nipkow — moderiert von Holger Urbach

  • New York University New York 3D Tonmeister Summer Academy presenting the course including several 3D recordings

    3D-9-1 |  Beginn 12:00 |  Dauer 60 min. | Gregor Zielinsky |  3D-Audio-Workshop (Englisch)

    Paul Geluso, Professor at the New York University is giving Tonmeister courses at the University since many years. Each Summer there is a special 3D Audio course over several weeks with different lecturers per week. Gregor Zielinsky, Grammy awarded Tonmeister and long time 3D Audio user, has joined as a lecturer since 10 years as well. The presentation will show the work at these courses. As a complete new building was completes in 2023, including a large concert hall plus a 7.1.4 control room. these new options will be shown as well. Finally a few examples of 3D recordings done in the new building will be presented, including Jazz, Woodwind and Brass recordings.

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• 3D-10 |  Immersive Audio |  R 16 |  2023-11-09 |  14:30 - 17:00
  kuratiert von Ulrike Anderson, Lasse Nipkow — moderiert von Ulrike Anderson

  • Die folgende Liste von Beiträgen (1 von insgesamt 3) im Rahmen dieser Veranstaltung ist aufgrund der Filterung unvollständig.

  • The Inception Dilemma

    3D-10-2 |  Beginn 15:30 |  Dauer 30 min. | Thomas Lund |  3D-Audio-Workshop (Englisch)

    For more than 80 years, reproduced sound has struggled with the "Inception dilemma"; not a dream in a dream, but a room in a room. In audio production, the primary goal is to know what is in the source, rather than what is contributed by a reproduction room. In that respect, immersive content gets distorted even easier than stereo and, with the widespread use of headphones in recreational sound, the playback room now also plays a lesser role for a typical end-listener.   With a balance shifted, what are the consequences for pro audio, if any? We discuss relevant monitoring from a perceptual perspective, including important qualities that reflect our improved music recording capabilities, and international standards that need to keep up to enable a predictable listening experience, also for future generations to appreciate.

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Alle Events im lokalen Kalender speichern oder Kalender-Abonnement einrichten:
https://tonmeistertagung.com/de/calendars/tmt-32/events.ics?filter64=aGFzX3BhcmVudD0yMDQ2Nix0ZW1wbGF0ZT1ldmVudCxzb3J0PXBhcmVudC5uYW1lLHNvcnQ9dGltZV9zdGFydCxzb3J0PXRpbWVfZW5kLHNvcnQ9dG9waWMsc29ydD1sb2NhdGlvbi5zb3J0LGNoZWNrX2FjY2Vzcz0wLGxvY2F0aW9uLm5hbWU9cjE2LChjb250cmlidXRpb25zLmZvcm1hdD04MjE2KSwoZm9ybWF0Lm5hbWV8Zm9ybWF0LmFiYnJ8Zm9ybWF0LnRpdGxlPSd3czNkJyks

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