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    Best Practices in Asian Audio
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    Acoustics
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    Power Amplifier Design
    AP
    The Arts of Production
    AT
    Array Technology in Sound Reinforcement
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    Barrier-free Audio
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    Business Issues
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    Classical Music in 3D
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    IRT Thementag
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    Live Mixing Workshop
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    Loudness in Radio
    MA
    Mastering
    MIC
    Microphone Setups
    MU
    Musical Aspects in Production
    NA
    Networked Audio & Video
    OB
    Object Based Production
    PE
    Perception & Aesthetics
    RA
    Restoration & Archiving
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    Research & Development
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    Speech Intelligibility in Broadcast and Cinema
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    Spatial Audio
    SR
    Sound Reinforcement
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    Studio Szene Talk
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    Studio & Recording
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    TMT Academy
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    Talk Back
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    VR and 360°
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    Wireless Audio

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2018-11-14S&RSST-2← Reset
  • SST-2 |  Studio Szene Talk |  S&R |  2018-11-14 |  16:00 - 17:00
    moderated by Hans-Martin Buff

    • Microphone placement comparison of orchestral instruments for educational purposes

      SST-2-1 |  Start 16:00 |  Duration 60 min. | Thorsten Weigelt |  Kazuya Nagae | S&R Studio Szene (English)
      Every musical instrument has a specific sound radiation pattern, which is highly dependent from tone and frequency. This has been extensively investigated by Jurgen Meyer in his book “Acoustics and the Performance of Music”. Recordings of 15 orchestral instruments have been produced to make these differences hearable for interested people working and studying in the field of Recording Arts. Those recordings have been done in a realistic environment and situation, means as stereo recordings with 14 identical AB-pairs in a concert hall. The recordings can be listened on a web-player with the possibility to switch freely and instantly between the different mic positions.
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